Scots-Irish Music |
The Hammered Dulcimer |
The fact is, Co. Antrim plays an important part in the history of the Hammered Dulcimer. In the world of Dulcimer playing, one player's name, that of the late 'John Rea' of Glenarm, is synonymous with Dulcimer playing here. As I said, this instrument, believe it or not, has been made & played by Co. Antrim folk for at least 200 years, & was often used in the Churches of the area around Ballyclare, Larne & Glenarm, when they could not afford to buy an organ, & yet it is now almost forgotten! Unfortunately, there are only perhaps four or five Antrim men still alive, who are a direct link with this tradition & although we are fortunate that they are still playing their own, family made Dulcimers, it has to be said that two of them are now in their golden years, so why oh why is it not seen being played more often, especially at Ulster Scots concerts? If we don't act soon, this tradition will be lost, forever. I fear that ignorance of this once treasured instrument of the Glens of Antrim, has led to it becoming almost extinct here. Unfortunately, as there are so many strings to a Hammered Dulcimer, my smaller one has 52, it can be hard work tuning it up before you even start to play, so for anyone who didn't have a 'good ear' for tuning, this fact would have made an instrument like a Fiddle, with only four strings, much more appealing. Couple this with the fact that a Hammered Dulcimer is a heavy, bulky, awkward contraption to lug around & the Fiddle becomes even more attractive as an option. So, perhaps it's no wonder folk think of Fiddles nowadays, when they think of the Traditional Music of the Glens of Antrim. However, with the danger of this instrument being lost forever to Co. Antrim & Ulster, I took up playing it a few years ago, and now play it out, every week on the Causeway Coast here. Now, when 'Mrs Ptarmigan' & I play for Wedding ceremonies & receptions we always take along a Hammered Dulcimer too & it sounds quite elegent when played along with our Harp as well as providing a stirring sound when played alongside our Fife. I also play it out, with our group ‘Scad the Beggars’ whenever the opportunity arises. With the danger of extinction in mind, (the Dulcimer's, not mine!) I also started a small festival in Bushmills last year to help raise the instrument's profile & try & save it. Unfortunately, I have not managed to raise any funding for it this year, to help me carry out this important work, but last year I did have a number of excellent musicians who very kindly volunteered their services for the cause & hopefully they might be persuaded to come forward again, this year - for this good cause. '' Incidentally, the festival is also designed to promote other instruments with a Co. Antrim flavour, including the Fife, the Fiddle, the Lambeg Drum, plus Scottish Smallpipes, Northumbrian Pipes, the old Uilleann Flatpipes, the Harp plus the wonderful rhymes of this area. |
1 - The Hammered Dulcimer - an early history The word Dulcimer is apparently Greek for 'Sweet Sound'. The hammered dulcimer probably originated in the Middle East, around Persia, about 900 A.D. and is related to the psaltery. It spread from there across Europe & North Africa, and throughout the late Middle Ages and the Renaissance period the dulcimer remained a popular instrument in both eastern and western Europe. It was known by many different names in different countries: a "tympanon" in France; a "hackbrett" in Germany; and a "cymbalom" in Hungary. |
2 - The Hammered Dulcimer in Co. Antrim Although this instrument is relatively unknown now in Co. Antrim, some say it has actually been on these shores, in one form or another since, at least, the 18th Century. In England it was very popular during the late 16th century and it seems likely that the hammered dulcimer was also being played in Scotland in the C16th, for there is mention of it in a Scottish poem of 1543, calling it a ‘dulsacordis’! It then probably travelled to County Antrim with the Scots, at least 4 or 5 generations ago. The first player to be mentioned here was a Harry Coudy, who was a well known player in the 20’s. Then there was a John Johnson who only died in 1974. “He made four dulcimers, while Alec Magee of Larne made about a dozen instruments, many of them for young people, who apparently gave up when they found it too difficult; he was a joiner, took the measurements for his instruments from that of John Rea, and used autoharp pins from a music shop.” Other more recent players included "James & Andrew Davidson of Buckna, Miss Katie Johnson of Owencloughy, William McMullan of Ballyclare, Thomas Taylor of Mullaghmore, Robert Gilbert of Kilwaughter plus others from around Ballyclare including Nat Magee ( Alec's son ), Mrs. Craig, Mrs. Doris Apsey, Jackie Apsey, Mrs. Woodside, William Mundel and Alec Rea of Ballymena." However the most famous Co. Antrim Hammered Dulcimer player of them all was John Rea of Glenarm. In Scotland the players used to play a lot of old song airs, and of songs which were popular between the wars, but John Rea tended to play the old traditional tunes he learned from his dad’s fiddle playing. So Reels, Jigs, Marches and Strathspeys were more his cup of tea and a fine healthy mix of Scottish and Irish tunes he played too. John Rea, before he died, used to regularly play duets with his brother William Rea, and thankfully Willie is still going strong, as is Nat Magee, so the glens still ring to the sound of these two men playing their Hammered Dulcimers. Another well known Hammer Dulcimer player was Derek Bell of the Chieftains, although he called his a Timpan, but it was simply a Hammered Dulcimer. Today, the best player in Ireland is still a County Antrim man, one Barry Carroll who has also recorded a CD with Hammered Dulcimer & Uilleann Pipes and more recently was a guest Interestingly, there was very little interest in Hammered Dulcimers in the south. In 2002, a Hammered Dulcimer festival took place in Cork and ran for three years, organised by an American player, Christie Burns. Before the first Fest, a call went out for all Irish Hammered Dulcimer players to attend, or at least make themselves known – only four appeared! However, many Hammered Dulcimer players from all over the world did turn up & beginners classes rekindled an interest in this endangered species. Christie has gone home to America now, but I am determined to do my best to help save this rare Co. Antrim beastie, and in 2003 I organised a concert in Glenarm Castle which was attended by four Hammered Dulcimers players, including myself. In 2004, for my Black Nun Fest in Ballycastle I brought over an American player Rick Davis, from North Carolina to If you live in North Antrim and you are curious to find out what a Hammered Dulcimer actually looks like, and you would like to hear it being played, then you might like to know that I play mine every weekend in the Smugglers Inn, Bushmills. Nat Magee would also play with us every once in a while at the Smugglers Inn. So there you have it, its been around for perhaps a thousand years, made and played throughout Co. Antrim for at least the past 4 or 5 generations, and still, every time I take it out in North Antrim folk ask me what it is! Hopefully the Causeway Dulcimer Festival will put this right. |
3 - The Hammered Dulcimer in America The first wave of settlers came to Appalachia by way of the Valley of Virginia, having started in Pennsylvania. People often confuse the hammered dulcimer with the three or four stringed "mountain" or "plucked" dulcimer, although the two have nothing in common, except their name. The earliest reference to it in America is actually of one being played in Salem, Massachusetts, in 1717. Hammered dulcimers are particularly interesting because, unlike the piano, dulcimers were often built at home, which was certainly the case in Co. Antrim. This beautiful instrument is now enjoying a revival in America and for the first time in many years, new dulcimers are being built, and there is an increasing number of new players. |
Sabine & Dick Glasgow performing with Harp & Hammered Dulcimer in the Pennsylvania Barn at the Ulster American Folk Park, during the 'Folk in the Park' festival of 2006. |
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